Tagged tribes

RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-qxzu

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. By Charles Bird King, Waa-Pa-Shaw, a Sioux Chief. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! Appears to be a very clean lithograph. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: Waa-Pa-Shaw
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Matted & Framed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Sioux
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-xb

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. By Charles Bird King, John Ridge, a Cherokee. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! There is a penciled catalogue number on the bottom right corner. Marks can be seen along the right side from binding. The back has pieces of hinging tape. There is discoloring around edges that show some wear due to age. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: John Ridge
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Unframed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Cherokee
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-kieh

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. Charles Bird King, KISH-KAL-WA. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! There is a penciled catalogue number on the bottom right corner. Marks can be seen along the right side from binding. The back has pieces of hinging tape. There is discoloring around edges that show some wear due to age. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: Kish-Kal-Wa
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Unframed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Shawanoe
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-rbm

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. By Charles Bird King, This portrait is Pa-She-Nine, a Chippeway Chief from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! There is a penciled catalogue number on the bottom right corner. Marks can be seen along the left side from binding. The back has pieces of hinging tape. There is discoloring around edges, back and lower right area that show some wear due to age. Two corners torn or bent. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: Pa-She-Nine
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Unframed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Chippeway
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-bhj

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. Charles Bird King, ONG-PA-TON-GA, AN OMAKAS CHIEF. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! There is a penciled catalogue number on the bottom right corner. Marks can be seen along the right side from binding. The back has pieces of hinging tape. There is discoloring around edges that show some wear due to age. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: Ong-Pa-Ton-Ga
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Unframed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Omakas
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-hokf

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. Charles Bird King, Ka-Na-Pi-Ma, Ottawa Chief. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! There is a penciled catalogue number on the bottom right corner. Marks can be seen along the right side from binding. The back has pieces of hinging tape. There is discoloring around edges that show some wear due to age. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US.
  • Size: 10 7/16” by 6 15/16”
  • Title: Ka-Na-Pi-Ma
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Unframed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Ottawa
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-toqz

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. By Charles Bird King, Little Crow, a Sioux Chief. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! Appears to be a very clean lithograph. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: Little Crow
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Matted & Framed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Sioux
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
1887-RARE-AMERICAN-INDIAN-HISTORY-ILLUSTRATED-Tribes-Massacres-War-U-S-ANTIQUE-01-sbt

1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE

1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE

1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
THE STORY OF THE AMERICAN INDIAN His Origin, Development, Decline and Destiny. Published in 1887 by D. Lothrop & Company, Boston. 9″ x 7″ illustrated cloth hardcover with gilt decoration. Condition: GOOD ANTIQUE CONDITION. BEAUTIFUL Exterior as shown in photo, light general wear. Binding is good, front inner hinge cracked but holding well. Owner name on endpaper. Text is clean and complete. No torn, loose or missing pages. A great example of this very rare 19th-century Native American title. Note on Rarity and Value: I refer you to two of my previous sales of this title/edition. Here is a rarity in the annals of 19th-century American Indian literature – a serious and sympathetic study of Indian history by a white author who describes “the mistreatment of the Indian” as one of the abuses of the age. In THE STORY OF THE AMERICAN INDIAN, Elbridge S. Brooks traces the American Indian experience from the colonial shores of New England to the high deserts of the Old West. A fascinating, wide-ranging narrative accompanied by pages and pages of antique illustrations. Elbridge Streeter Brooks was renowned in the 19th century as an American author, editor, and critic. He made his reputation as an author of numerous works of fiction and nonfiction for younger readers, much of it on historical or patriotic subjects – in fact, some of his patriotic works were issued under the auspices of the Sons of the American Revolution and the Daughters of the American Revolution. But in THE STORY OF THE AMERICAN INDIAN, he sheds the mantle of patriotic storyteller and assumes the more discerning and objective viewpoint of the historian. What great personal fortitude must have been required on the part of Mr. Brooks, who earned his livelihood recording the proud saga of his America, to tell the story of the American Indian, so wronged by the United States government and its people. A period advertisement for THE STORY OF THE AMERICAN INDIAN describes the book thus. The first and only complete and consecutive story of the Red Men of America. It is sympathetic but not sentimental, practical but not one-sided, picturesque but not romantic. A book for all Americans to read. In the Preface to THE STORY OF THE AMERICAN INDIAN, Brooks explains why he felt it was important for Americans to do some soul-searching in regard to the original proprietors of the land. The popular opinion of the American Indian has for generations been based upon prejudice and ignorance – as thoughtless as it is unreasoning and unjust. The red man of America may be no saint, but he is at least a man and should not be condemned unheard. He has his side of the story quite as much as has his white conqueror. Desire, acquisition, superiority, indifference – these have been the steps toward the ostracism that has been visited upon the American Indian, denying him justice and opportunity for advancement since the earliest days of white occupation. It is these barriers to progress that have alike created and complicated the vexed Indian problem. This volume does not attempt to state or solve that problem. It simply seeks to arrange in something like complete and consecutive form the story of the North American Indian as he has existed for generations, and as from supremacy in the land of his fathers he has fallen under the ban of the white civilization that conquered and displaced him. The mistreatment of the Indian, a recent writer declares, is one of the abuses of the age, and one of the reproaches of civilization. It is high time that the abuse and the reproach should give place to something like fairness and moral sense. If the future of the American Indian is to be brighter and more self-helpful than ever before the credit of this advance is in great measure due to the self-sacrificing exertions of those missionaries of good who have, in spite of heedlessness, and in spite of slur, devoted so much of their lives to the bettering of a misunderstood and unfortunate race. To all such, and to all friends of humanity who, despising injustice, seek to convert public opinion into public conscience, this story of the American Indian is gratefully inscribed. Chapter One The Ancient American. Chapter Two The Red Man Before Columbus. Chapter Three Race Divisions and Kinship Ties. Chapter Four Indian Faiths and Confederations. Chapter Six The Indian Home. Chapter Seven The Indian Youth. Chapter Eight Manners and Materials. Chapter Nine The Coming of the White Man. Chapter Ten Colonial Injustice. Chapter Eleven Placing the Responsibility. Chapter Twelve Pushed to the Wall. Chapter Thirteen Indian Types. Chapter Fourteen The Indian’s Outlook. ILLUSTRATIONS INCLUDE: Quigualtanqui’s defiance “The coldest of existing lands” Ruins called “the Governor’s House, ” Yucatan Skeleton of the megatherium The mylodon Hunting the dinornis An ancient volcano in the Rocky Mountain range The mammoth and primitive man Primitive household utensils Mounds on the Kickapoo River Skull found in a mound in Tennessee Skull found in mound in Missouri Ground plan of “high bank pueblo” Home of the “village Indians” In the grand canon of the Colorado A cliff dwelling Ruins of an Arizona cliff dwelling Nature’s wonderland The home of the ancient American A study of comparative cranial outlines An Indian myth Interior of a partially restored cliff-dweller’s house Hiawatha, the “river-maker” Atotarho, the war chief An Indian village One of Nature’s highways The “spoor” of the game The wounded buffalo The hunted elk Shell ornaments and fish hooks First discoveries The landing of Columbus The return of Columbus An Iroquois scout The gate of Ladore In the shadow of Shasta A Pueblo boy Powhatan One of the higher types Glen Canon “The marvelous white man” “The spirit of peace” An Indian myth Fighting the stone giant Coyote fetish In the land of the fetish The Navajo of today Palisaded Iroquois village In the Moki land The home of the Columbians A town of the Zunis White Buffalo An Indian’s greeting “The White Chief” The domed earth houses of the Pacific tribes In the Iroquois country An Iroquois long-house An admirer of warlike prowess The Mandan Lodge of the Northwest Here I discovered five papooses slung to the trees An education in drudgery Dreaming of his “medicine” As happy as a white baby The Scalp Dance On the War Trail The Ceremony of the Wampum Belts A lesson in archery A Wampum necklace Decorated wampum belts Indian method of lighting fire Navajo basket work Indian weapons Council of chiefs and warriors So the white man came “Along the narrow trail the startling tidings sped” Spanish occupation The death of his comrade The pitiless man-hunter The burial of De Soto “Killed in the swamp” “Red man and white” Civilization distrusts savagery “Doomed and uncovenanted heathen” An episode of the French and Indian War Justice or war – which? ” “Ho, Waldron, does your hand weigh a pound now? ” “A new feature in the Indian landscape” Hispaniola Colonies at the time of the Revolution Attack on stockade Military tyranny In contact with civilization An episode of the Seminole War “The white man wanted the land Fighting the Indians on the Virginia frontier The home of the Indian Types of a fading race Fra Junipero Serro The meeting of the races Charging an Indian camp The renegade of civilization Pocahontas and her son Pontiac, chieftain of the Ottawas Te-cum-the, Chief of the Shawanoe Sa-go-ye-wat-ha the Seneca Ma-ka-tai-me-she-kia-kiah the Sauk Spotted Tail with his wife and daughter His story is a simple one Contact with a higher intelligence A candidate for Hampton School The land of their fathers Pack train leaving a pueblo In process of civilization Darkness Daylight. DON’T MISS YOUR OPPORTUNITY TO OWN THIS RARE AND BEAUTIFUL ACCOUNT OF AMERICA’S FIRST INHABITANTS, THE AMERICAN INDIANS. Remember folks, this is an 1887 First Edition. This book is 133 years old. Please be sure to add me to your List of Favorite Sellers. Don’t miss out on any of my latest listings. When you prepare your listings you generally should use only material text, photographs, etc. And trademarks/names that you created or own yourself or licensed from the owners. Item description text; lists of contents, lists of illustrations/photos; scanned images, etc. UNAUTHORIZED USE OF ITEM DESCRIPTION TEXT INCLUDING SUMMARIES OF CONTENTS, ILLUSTRATIONS, ETC. Track Page Views With. This item is in the category “Books & Magazines\Antiquarian & Collectible”. The seller is “neetmok” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Australia, Japan, South Korea, Indonesia, South Africa, Thailand, Hong Kong, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Bahrain, Malaysia, Brazil, Chile, Colombia, Panama, Jamaica, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Ecuador, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Vietnam.
  • Binding: Fine Binding
  • Place of Publication: Boston Massachusetts
  • Publisher: D. Lothrop & Co.
  • Subject: History
  • Year Printed: 1887
  • Original/Facsimile: Original
  • Language: English
  • Illustrator: NA
  • Special Attributes: NATIVE AMERICAN INDIAN WARS TRIBES SCALPING, 1st Edition, Illustrated
  • Region: North America
  • Author: Elbridge Brooks
  • Country/Region of Manufacture: United States
  • Topic: Indians
  • Character Family: NA

1887 RARE AMERICAN INDIAN HISTORY ILLUSTRATED Tribes Massacres War U. S. ANTIQUE
RARE-1837-Territory-of-FLORIDA-Topography-Climate-Indian-Tribes-SEMINOLE-WARS-01-liki

RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS

RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS
RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS
RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS
RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS
RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS
RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS
RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS
RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS
RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS
RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS

RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS
The Territory of Florida; or, Sketches of the Topography, Civil and Natural History of the Country, Climate and Indian Tribes, from the first discovery to the present time, : with a map, views, &c. By John Lee Williams. Hardcover, professionally rebound in marbled boards and leather spine with gilt title. Text block is in great condition. The three plates (including frontis) show some discoloration and foxing. The foldout map in rear is provided in facsimile. “Very full account of the wars with the Seminoles”–Field 1666. Clark III:255; Howes W467 (“aa”); Sabin 104284; Streeter sale II:1245. This item is in the category “Books & Magazines\Antiquarian & Collectible”. The seller is “crottsy” and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, Korea, South, Indonesia, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Brazil, Chile, Colombia, Panama, Jamaica, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Ecuador, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Vietnam, Uruguay.
  • Year Printed: 1837
  • Topic: United States
  • Binding: Hardcover
  • Subject: History
  • Original/Facsimile: Original
  • Language: English
  • Special Attributes: 1st Edition, Ex-Library, Illustrated

RARE 1837 Territory of FLORIDA, Topography Climate Indian Tribes, SEMINOLE WARS