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RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. By Charles Bird King, Waa-Pa-Shaw, a Sioux Chief. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! Appears to be a very clean lithograph. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: Waa-Pa-Shaw
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Matted & Framed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Sioux
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
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RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-xb

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. By Charles Bird King, John Ridge, a Cherokee. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! There is a penciled catalogue number on the bottom right corner. Marks can be seen along the right side from binding. The back has pieces of hinging tape. There is discoloring around edges that show some wear due to age. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: John Ridge
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Unframed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Cherokee
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
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RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-kieh

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. Charles Bird King, KISH-KAL-WA. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! There is a penciled catalogue number on the bottom right corner. Marks can be seen along the right side from binding. The back has pieces of hinging tape. There is discoloring around edges that show some wear due to age. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: Kish-Kal-Wa
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Unframed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Shawanoe
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
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RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-rbm

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. By Charles Bird King, This portrait is Pa-She-Nine, a Chippeway Chief from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! There is a penciled catalogue number on the bottom right corner. Marks can be seen along the left side from binding. The back has pieces of hinging tape. There is discoloring around edges, back and lower right area that show some wear due to age. Two corners torn or bent. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: Pa-She-Nine
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Unframed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Chippeway
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
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RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-bhj

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. Charles Bird King, ONG-PA-TON-GA, AN OMAKAS CHIEF. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! There is a penciled catalogue number on the bottom right corner. Marks can be seen along the right side from binding. The back has pieces of hinging tape. There is discoloring around edges that show some wear due to age. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: Ong-Pa-Ton-Ga
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Unframed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Omakas
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
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RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-hokf

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. Charles Bird King, Ka-Na-Pi-Ma, Ottawa Chief. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! There is a penciled catalogue number on the bottom right corner. Marks can be seen along the right side from binding. The back has pieces of hinging tape. There is discoloring around edges that show some wear due to age. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US.
  • Size: 10 7/16” by 6 15/16”
  • Title: Ka-Na-Pi-Ma
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Unframed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Ottawa
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
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RARE-Lithograph-History-of-the-Indian-Tribes-of-North-America-McKenney-Hall-01-toqz

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph History of the Indian Tribes of North America McKenney & Hall

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
RARE Lithograph “History of the Indian Tribes of North America” McKenney & Hall. RARE ORIGINAL (Not a Copy) Hand Colored Lithograph “History of the Indian Tribes of North America” McKenney & Hall. By Charles Bird King, Little Crow, a Sioux Chief. This portrait is from “The History of the Indian Tribes of North America, ” ca. 1838, hand-colored lithograph on paper. Sheet: 10 7/16″ by 6 15/16″ A true piece of Native American history! Appears to be a very clean lithograph. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis, who sketched those willing to participate. A large number of the most influential Indian chiefs and warriors were later invited to come to Washington in 1821 to meet President Monroe. McKenney commissioned the prominent portrait painter Charles Bird King, who had a studio in the capital, to paint these native American leaders, who chose the costumes they wished to wear for the sitting. The magnificent resultant paintings were displayed in the War Department until 1858, and were then moved to the Smithsonian Institute. When Andrew Jackson dismissed McKenney in 1830, he gave him permission to have the King portraits as well as some by other artists, including George Catlin and James Otto Lewis, copied and made into lithographs, in both folio and octavo sizes. McKenney partnered with James C. Hall, a Cincinnati judge and novelist to publish the lithographs and the text written by Hall. The work was extremely expensive to create and nearly bankrupted McKenney, as well as the two printing firms who invested in its publication. The resultant work gained importance when Catlin’s paintings were destroyed in a warehouse fire and Charles Bird King’s and James Otto Lewis’ portraits were destroyed in the great Smithsonian Museum fire of 1865. The McKenney and Hall portraits remain the most complete and colorful record of these pre-Civil War Native American leaders. This item is in the category “Art\Art Prints”. The seller is “girlsnightinn76″ and is located in this country: US. This item can be shipped to United States.
  • Size: 10 7/16” by 6 15/16”
  • Title: Little Crow
  • Period: 1836-1844
  • Material: Paper
  • Original/Licensed Reprint: Original
  • Framing: Matted & Framed
  • Subject: Native Americans
  • Type: Hand Colored Lithograph
  • Year of Production: c. 1838
  • Theme: History
  • Style: Indian
  • Features: Hand Colored
  • Production Technique: Lithography
  • Country/Region of Manufacture: United States
  • Culture: Sioux
  • Time Period Produced: 1800-1849

RARE Lithograph History of the Indian Tribes of North America McKenney & Hall
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Rare-2001-BEING-IN-BEING-HAIDA-CLASSICAL-MYTHS-by-SKAAY-NORTH-AMERICAN-INDIAN-01-wc

Rare 2001 BEING IN BEING HAIDA CLASSICAL MYTHS by SKAAY NORTH AMERICAN INDIAN

Rare 2001 BEING IN BEING HAIDA CLASSICAL MYTHS by SKAAY NORTH AMERICAN INDIAN
Rare 2001 BEING IN BEING HAIDA CLASSICAL MYTHS by SKAAY NORTH AMERICAN INDIAN
Rare 2001 BEING IN BEING HAIDA CLASSICAL MYTHS by SKAAY NORTH AMERICAN INDIAN
Rare 2001 BEING IN BEING HAIDA CLASSICAL MYTHS by SKAAY NORTH AMERICAN INDIAN
Rare 2001 BEING IN BEING HAIDA CLASSICAL MYTHS by SKAAY NORTH AMERICAN INDIAN

Rare 2001 BEING IN BEING HAIDA CLASSICAL MYTHS by SKAAY NORTH AMERICAN INDIAN
BEING IN BEING – THE COLLECTED WORKS OF SKAAY of the Qquuna Qiighawaay, 2001. Being in Being – The Collected Works of Skaay of the Qquuna Qiighawaay. Bringhurst, Robert Editor and Translator. Lincoln, NE; University of Nebraska Press, 2001. Skaay was born in the Haida village of Qquuna about 1827. He survived epidemics that annihilated much of the Haida population and in the early 1900s he was living in the mission village of Skidegate and known for his knowledge of myths. He was introduced to an American linguist named John Swanton and in 1900 Skaay dictated the contents of this book to him. The book includes all the surviving works of this master Haida mythteller, incluidng The Qquuna Cycle which is the longest existing work of Haida poetry; Raven Travelling; and The Qquuna Qiighawaay the story of Skaay’s maternal lineage. Hardcover, with original jacket, 397 pages. This item is in the category “Books & Magazines\Antiquarian & Collectible”. The seller is “timbuktubooks” and is located in this country: US. This item can be shipped worldwide.
  • Year Printed: 2001
  • Topic: Haida Myths
  • Binding: Hardcover
  • Author: Skaay
  • Subject: Literature & Fiction
  • Original/Facsimile: Original
  • Language: English
  • Publisher: University of Nebraska Press
  • Place of Publication: Lincoln NE
  • Special Attributes: Dust Jacket, Illustrated

Rare 2001 BEING IN BEING HAIDA CLASSICAL MYTHS by SKAAY NORTH AMERICAN INDIAN
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